Our 2013 Season and the Free Book Experiment

Hey there, fellow Goner,

Available Darkness Season TwoWe’re thrilled to announce to launch our 2013 Collective Inkwell season of weekly serials today with Available Darkness: Season Two.

In 2012, we wanted Collective Inkwell to do what no one else had done — to transport the scripted serial model we loved so much from TV over to the world of digital reading. This meant not only following the signposts of plot, character, suspense and — of course — cliffhangers, it meant sticking to an ambitious weekly release schedule. Like HBO, AMC, Showtime, or any other quality network, Collective Inkwell had a fresh “episode” each week, and when one “show” ended its season, we had another ready to go.

Last year we published two seasons of Yesterday’s Gone, Available Darkness, ForNevermore, WhiteSpace, Z 2134, and Monstrous — plus seven Dark Crossings short stories with killer endings.

AND NOW WE’RE GOING TO DO IT AGAIN!

Collective Inkwell is back for our 2013 season, and this year we’re promising readers an even bigger and better year, starting today!

Our prior serialized schedule followed the old TV model with the release of six episodes and then, on the seventh week, the season compilation. However, this forced people who wanted the full season to wait to read it.

NOT ANYMORE!

Now we’re ignoring where TV is, and paying attention to where it’s going.

One of serialized drama’s great strengths in the age of video on demand, is bulk season viewing of shows. While some people (like Dave) love the weekly wait and slow torture of killer cliffhangers, others (like Sean) love to plow through a season all at once.

So why not give you BOTH options?

For our 2013 season, Collective Inkwell will offer our indie series (everything but Z 2134 and Monstrous) two ways — weekly or all-at-once.

Fans of weekly installments will still have the option to read as they wish. We’ll be releasing all six episodes of each series in weekly format with our famous brand of WTF cliffhangers! 

But …

… You’ll also have the option of buying the full season immediately!

 THE FREE EXPERIMENT

We’re also trying something new.

We will be giving each episode away FREE for five days during the week it goes live. Readers taking the weekly ride with us can do so for free.

Every Thursday through Monday during our indie seasons, we’ll have a new episode available for free.

We hope to draw new readers into our stories by offering a sample. We figure if we do our job well enough, you won’t be able to wait until the following week and will want to buy the full season right away.
But we’re cool if you just want a free read, too.

Now we call this a free “experiment” because we can only guess at the results. If suddenly nobody is buying our books, and just waiting for the free ones, well, it’ll turn into an experiment in poverty, and we’ll need to end it. To keep writing for you, we must be able to put bread on our table and take care of our the bills.

We look forward to this experiment, and more importantly, to the 2013 Collective Inkwell season with new episodes of Available Darkness, WhiteSpace, ForNevermore, Yesterday’s Gone, Z 2134, Monstrous, and Dark Crossings!

We’re really looking forward to giving you a GREAT year of reading you won’t find anywhere else. Beyond the FREE episodes each week, we’ll be giving our special group of “Goners” extra goodies throughout the year.

If you’re not already a Goner, and don’t want to miss out on any of the best stuff, join today. It is and always will be 100% free. And it’s easy. Just click on the link below.

GET AVAILABLE DARKNESS EPISODE 7 ( OR THE ENTIRE SECOND SEASON ) NOW

Or wait until Thursday when it will be free through the weekend. We will not be sending a second email when it will be free, because we think it might annoy a lot of readers. So mark it on your calendar. We’ll also mention it on Facebook if you connect with us there.

AVAILABLE DARKNESS: EPISODE 7

US: http://www.amazon.com/dp/B00BEPDA8E

UK: http://www.amazon.co.uk/dp/B00BEPDA8E

If you don’t want to wait, you can also buy the FULL SEASON right now.

AVAILABLE DARKNESS: SEASON TWO (Episodes 7-12)

US: http://www.amazon.com/dp/B00BELOHIK

UK: http://www.amazon.co.uk/dp/B00BELOHIK

As always, thank you for reading,

David and Sean

Email us at: collectiveinkwellmedia@gmail.com

Visit our website: www.collectiveinkwell.com

Connect with us and other readers on Facebook: www.facebook.com/collectiveinkwellpublishing

Live Chat TONIGHT (Plus Great News!)

Hey there, fellow Goners,

Weeeeee’re back.

In case you hadn’t noticed, Sean and I decided to take January off (from publishing, but not writing, as you’ll soon see), following a crazy, hectic book-per-week release schedule last year.

Well, guess what — we’re going to do it again in 2013!

Turns out that after we wrote seven series seasons last year — Yesterday’s Gone, WhiteSpace, ForNevermore, Available Darkness, Dark Crossings, and the 47North series, Z 2134 and Monstrous, we kind of left some of you hanging on a “to be continued…” or six.

We took a small break, got our ducks in a row, and came up with our schedule for 2013.

We’ll tell you everything next Tuesday when we kick off Collective Inkwell’s 2013 Season with Available Darkness: Season Two. I know, we originally planned to publish today, but trust us, next week when you see WHY we chose to delay the launch, you are gong to LOVE us.

Reading that Collective Inkwell’s 2013 Season has been delayed by a week, along with Available Darkness, might seem like bad news, but by this time next week, you WILL think it’s GREAT news.

Especially if you’re the type of reader who likes all the answers at once.

LIVE CHAT TONIGHT

You can join us at 8:30 p.m. EST Tonight (Tuesday Feb. 5, 2013) for a live video and text chat via Google Hangouts. We’ll be broadcasting live on our Google Plus channel, discussing this year’s projects and answering your questions.

https://plus.google.com/u/0/104357812124137767241/posts

You can join in by either adding us to your Google Circles and emailing me in advance requesting an invite to join our live video chat, or (I think) you can show up and just chat.

Or… you can send us an email at collectiveinkwellmedia@gmail.com and ask us a question today and we’ll try and get to it tonight. If you do post a question publicly on video or chat, please don’t give any spoilers to readers who aren’t as caught up as you on all of our stories. So try and find creative ways to ask spoilery questions, please :)

The show will also be posted on our Youtube channel where you can watch live:

http://www.youtube.com/collectiveinkwell

MONSTROUS SEASON FINALE

Monstrous coverLastly, the exciting first season finale of Monstrous will be out via Kindle Serials today. And it’s also the last chance (I think) to buy the book for $1.99.

http://www.amazon.com/dp/B009XJBHHO

I believe the worldwide edition of Monstrous is also due out very, very soon. I’ll send out links once I have them.

As always, thank you for reading,

David Wright

& Sean Platt

Want to get in touch with us? We’d love to hear from you! Email us at:

Collectiveinkwellmedia@gmail.com

Want to visit our website? Go here:

Www.collectiveinkwell.com

Want to see a full list of all of our books?

Go here: www.collectiveinkwell.com/our-books

Want to join the conversation with us and other Goners at Facebook? You can do that here:

Www.facebook.com/collectiveinkwellpublishing

Number One!

WOW! What a way to start 2013!

Amazon offered Yesterday’s Gone: Season One as a Kindle Daily Deal on January 1, and the book rocketed up the charts!

But could we beat Stephen King’s 11/22/63?

Around noon, I figured we had no shot since King’s latest opus was selling for only $3.99! A bargain because mainstream books typically sell for significantly more.

By early evening though, Yesterday’s Gone: Season One hit the top spot for horror and sci-fi on Amazon!

YesterdaysGone-Number-One-Horror-Novel-January-1-2013

Wow!

This was a great way to kick off 2013, and a tremendous way to close out our year of weekly releases which began last January.

LOOKING BACK ON 2012

Sean and I started 2012 with one goal — to become “Kings of the Serial.”

We knew the only way to make it to the point where we could write fiction full-time was to do what our favorite TV channels do — deliver strong, character-driven serialized fiction every week!

We wanted to be the HBO, AMC, or Showtime of the Kindle Generation.

HBO, AMC, and Showtime made Sundays the night for superply scripted TV drama. We went with Tuesdays, writing almost non-stop to deliver our killer cliffhangers to you, every week without fail.

Thanks to an awesome core group of readers who get what we’re doing (with similar tastes in serialized fiction), we’ve been fortunate enough to keep doing what we love most — writing.

2012 saw Seasons Two and Three of Yesterday’s Gone, and first seasons of WhiteSpace and ForNevermore. In early fall, Amazon’s 47North invited us to be part of Amazon Publishing’s new Kindle Serials program by signing us for two serials: Z 2134 and Monstrous.

Thank you again for helping us write full-time for a living. While we rarely leave the house, and Sean now has so little color you can barely tell he has Mexican blood, we’ve never been happier.

WHAT NEXT?

We hit 2012 hard and fast, without much of a plan. That meant we were often writing with scant time before publication. Writing too fast, and with a bare-cupboard budget, meant we had way more typos than we would’ve liked.

This year, we’re going to slow things down a bit.

We’re still planning a weekly release schedule, but are taking January off.

Well, sort of. We’re still writing non-stop…

But we’re not releasing anything new until the first Tuesday in February, except for the three remaining episodes of Monstrous which will be published by 47North on January 8, January 22, and February 5.

The goal is to have a bit more time to write our serials and give our editors more time to edit, making for a better reading experience for all.

On February 5, we’ll be back, kicking off Available Darkness: Season Two with Episode 7, which will run for six weeks.

After AD, we’ll be returning for the long-awaited follow-up seasons for both WhiteSpace and ForNevermore.

And early this summer, we’ll be following up with the fourth season of Yesterday’s Gone.

And if that isn’t enough, we’re also planning second seasons for Monstrous and Z 2134, plus, of course, more Dark Crossings shorts.

As you can see, our 2013 is shaping up to be as busy as 2012! We look forward to paving new roads, exploring new worlds, and crafting fresh characters to share with you this year!

Thank you for reading,

David Wright and Sean Platt

Game of Thrones, Being a King, and Howard Stern

(note: We’ve decided to post our newsletters here on the blog every week for those who haven’t yet subscribed, and those who are just happening upon our blog for the first time. However, if you want to join the Goners and get free stories and exclusive sneak peeks when we offer them, you’ll need to sign up to join our FREE newsletter.)

WhiteSpace3 coverHey Goners,

Dave here with this week’s missive from the Writer’s Cave.

Do you watch Game of Thrones? If you’re not watching it, I urge you to start. HBO is on Season Two now, so you definitely want to start with Season One. It’s one of the most complex, enjoyable shows I’ve seen in a long time.

One of the most enjoyable aspects of the show (and the book series it is based on, A Song of Ice and Fire by George R.R. Martin) is how you get the story from so many perspectives. You find yourself identifying, loving, and hating people in different sides of the same war.

As you can tell from Yesterday’s Gone and WhiteSpace, we’re kinda big into alternating POVs.

Martin was interviewed in this week’s Rolling Stone and he was asked about his characters. He said something I loved.

I’m paraphrasing here, but essentially, he said, people have different favorites. But one of the best things is how readers write to him having very different opinions on his characters. A character hated by some is loved by others. And vice versa. And Martin said if all your letters say the same thing about the same characters, then you know you’ve written a cardboard character.

Great line. And true. And something we strive for in our own fiction — to present multifaceted characters that you love and love to hate.

Something else we’ve learned from Game of Thrones… if you want to be King, you have to go after the crown.

Sean and I have declared ourselves “Kings of the Serial.”

Like Game of Thrones, and Howard Stern (the self proclaimed “King of All Media”) taught us, nobody is gonna make you king. You have to seize the crown … or name yourself King.

Our quest for the crown began in January with the launch of Yesterday’s Gone: Season Two. That’s when we decided we’re going to release a book per week.

When we started Yesterday’s Gone last summer, there were a lot of naysayers saying that serials won’t work. Saying that people don’t like reading the format. That you can’t sell “part of a story.”

We said bullshit.

Serials have been around forever. And Stephen King proved in the 90s that there’s still an audience for serialized fiction, when he released The Green Mile.

Networks like HBO and AMC prove it week in and week out, that people LOVE the cliffhanger! Shows like Game of Thrones, The Killing, Breaking Bad, The Walking Dead, and True Blood keep me, and millions, on the edges of our seats every single weekend.

We want to the be the HBO or AMC of the Kindle Generation!

WhiteSpace Episode 1 CoverThe digital revolution (and Amazon) has given us a golden opportunity to do something we never could have done with a traditional publisher. And with great power comes great responsibility… to bring you a new episode of killer content with killer cliffhangers each and every Tuesday. One review said “Tuesdays are the new black.” I love that line!

And we couldn’t do it without you, who prove to us week in and week out that we made the right decision to chase the crown.

Of course, there isn’t a real crown. And no official “King” title. It’s more about being in a position to continue writing these stories for you.

The better we do, the better our books sell, and the more positive reviews we have, the stronger our Goner Army!

So thank you for continuing to read and continuing to leave reviews.

You are awesome!

Here’s a sneak peek at WhiteSpace: Episode 3 www.amazon.com/dp/B008391S1A/

This is my favorite episode yet, where we learn more about Houser, who is becoming my favorite character.

Thank you for reading,

David Wright

www.collectiveinkwell.com

www.twitter.com/thedavidwwright

WhiteSpace: Episode Three

P.I. Brock Houser is on the hunt for a missing child, but can he outrun a past, and another missing child, that haunts him?

As Liz Heller tries to overcome the tragedy that her husband created, she begins to piece together a mystery that threatens her sanity, and perhaps the safety of her family.

As the school re-opens, is Alex Heller ready to return? Are the students ready to accept him? Or will someone seek vengeance?

As Jon Conway and Cassidy Hughes search for Emma, they set their differences aside to track down a potential lead. What happened to Emma? Will they ever see her alive again?

As Milo Anderson recovers from tragedy, a mysterious person contacts him again, with a startling declaration.

The mystery continues, and the danger increases, leading up to and unforgettable ending.

 

Brock Houser Part I

Ocean County, California

10 years ago…

Detective Houser knew he was staring into a set of guilty eyes the second the sleazeball peered from his side of the flimsy security chain which would pop off in an instant if Houser kicked the door in.

There is an undeniable look worn in the eyes of the guilty — a look you got to know as a cop. A look Houser had become aware of, and well-tuned to, as a child. For Houser, instinct was as accurate as any of his senses. His eyesight had failed him a few times, his instincts, at least in this area, not even once.

This was his man, sure as shit. The twisted fucker who had kidnapped six year old Cecilia Ramirez.

“Can I help you?” the man said from the shadows of his dark apartment.

“Hi, my name is Detective Houser. We’re talking to people in the neighborhood about a missing girl. I’d like to ask if you’ve seen her?”

Houser raised the photo for the man to see, fixed on his eyes the entire time.

Recognition? Yes. 

Guilt? Yes. Without a doubt.

Richard Jurgen was his man.

“Nope, haven’t seen a thing,” Richard shook his head.

“Are you sure?”

The man took a second longer glance at the photo, studying the gloss for a half-minute or so before raising his nervous eyes to meet Houser’s. “Nope, ain’t seen her.”

The monster started to close the door.

Houser slipped his boot against the bottom of the door, keeping it ajar. “I’m sure you won’t mind if I ask you about something one of your neighbor’s said.” Houser pretended like it was a question.

“Sure,” Jurgen said, easing his force on the door.

Houser kept his boot in place, but didn’t push on the wood.

“Someone said they saw you last Tuesday, with your hatchback backed up to the garage, late at night. They said it seemed like you were carrying something pretty heavy.”

Houser kept his eyes fixed on the monster, waiting for him to drown himself in a lie.

“I don’t remember,” he dove into the deep. “I often go out on my rounds late at night, picking up junk, looking for the furniture and stuff people leave out for trash. That’s not a crime all of a sudden is it?”

“No, Mr. Jurgen, not at all.” Houser shook his head, then looked down at his notes, flipping back a page for effect, then looked back up at the monster. “Odd thing was that your neighbor said the garage light was out, just like the light in your car.”

“So, what of it?” the man said, fear in his voice starting to smother the calm. “I can see well enough with the street lights. I can see you just fine, right?”

Bet both balls in the sack, this is our asshole. 

“OK, well then Mr. Jurgen, you won’t mind if we take a quick look around,” he said, nodding to his silent partner, Chan, who was standing to Houser’s left. “Just to save us some time, so we can get on with the search and rule you out.”

“You have a search warrant?”

Fucker.

“No, but based on what I do have, a warrant’s exactly one short phone call away. I was hoping that since you’ve nothing to hide, you wouldn’t mind if we took a quick look around so we can get out of your hair. We have to follow up on leads, if only to rule you out. I’m sure you understand.”

“I know my rights,” the monster said, his voice still even. “And I’m not letting you do anything without a warrant.”

“OK,” Houser said, pulling his boot from the doorway, then turning around and walking back to their car.

“Motherfucker,” Houser said once he and Chan were inside the cruiser. “She’s in there. I can fucking feel it.”

Chan put in a call to Judge Cleary seeking a warrant while Houser waited as patiently as he could, listening to Chan’s side of the conversation.

Come on, judge, don’t fuck this one up.

The tricky part of getting a warrant with this particular case was that the neighbor who alerted them to the suspicious activity, an old busybody named Earl Moody, had a long history of calling the cops on Jurgen for the sort of routine bullshit most neighbors handled themselves. In short, the two had bad blood, giving the judge enough cause to deny the warrant.

Chan’s voice went up an octave, letting Houser know where the conversation was headed.

Houser wanted to snatch the phone from his partner and rip Cleary a new one, but he was already on thin ice with Cleary, and was likely the reason the judge was giving Chan a hard time in the first place.

“Yes, your honor. Thank you,” Chan said, hanging up. He shook his head. “No dice.”

“Fuck!!” Houser screamed, slamming his fists into the steering wheel, then turning back to scowl at Jurgen’s house. The fucker was in his living room, peeking through his blinds at the cruiser.

Houser turned back to Chan. “You like this guy, right? It’s not just me.”

“Yeah, he’s hiding something, alright.”

“OK, we need to talk to more neighbors. See if we can find something from someone who isn’t the neighborhood douchebag, then ring Cleary back.”

Chan agreed, then suggested one of them hit the courthouse when it opened in the morning to see if they could find anything on the guy that wasn’t yet in the database. The courthouse was currently in the process — which seemed to be taking years — of moving their old records to online archives, so most of the crimes older than 10 years were still in their giant file vault.

Houser hated combing through old files slightly less than he hated sitting on his hands while Jurgen was inside his house with time to do God knows what, flushing evidence, arming himself to the teeth, raping the hell out of the girl, or whatever it was the condemned might do before the jaws of justice clamped on their ass.

Chan said, “Is that your way of saying you want me to go?”

Houser turned, with his biggest smile, “Pretty please?”

“You know I hate you, right?”

Houser laughed. “As if anyone could hate me. But one of us has to sit on this fucker in case he decides to bolt, and to be honest, I wanna be the first one through the door to knock the fucking smile from his face. And let’s face it, I’m a helluva lot faster than you if it comes to a foot chase.”

“Yeah, yeah, whatever. But you owe me.”

“Whatever you want, man. Just name it. I got dinner for the next week. OK?”

“Week? How about two?”

“Two? Do I look rich?”

“Richer than me. You don’t have a wife, kids, daycare bills, or any of that shit.”

“Wah, wah, I’m so jealous of your sexy, single life, Houser,” Houser said, mocking Chan playfully. “Alright, two fucking weeks. But you better find something we can take to Cleary!”

 

**

Chan did.

At 8:15 a.m., 15 minutes after the courthouse opened, Houser’s cell rang.

Chan was practically yelling into the phone. “Seems our guy got busted peeping in some windows 11 years ago. One of the windows was of a little girl. Somehow he got off with a slap on the wrist.”

“Fuck! OK, I’ll call Cleary,” Houser said.

“Too late,” Chan said. “I already did. Warrant has been issued.”

“I love you, man. Three weeks! On me. OK, I’m going in. I’ve got another unit here and we’re going in.”

“K, I’ll be over in five,” Chan said.

“Alright, Houser called into the radio, alerting the officers camped behind Jurgen’s house, and to the side, just out of the man’s line of sight. “Let’s get this fucker!”

**

Houser burst through the freshly kicked-in door, stunned to see Jurgen standing right in the living room, naked, and aiming a .45  at Houser.

Houser fired, but not before Jurgen.

Jurgen’s shot slammed into Houser’s Kevlar vest, knocking him to the filthy carpet, and clearing the air from his body.

Houser’s shot hit the man between the eyes, killing him instantly.

Sgt. Combs kneeled next to Houser, “You OK?”

Houser took a moment, sucking in air, feeling beneath his vest to make sure there was no blood, before nodding. He would be bruised as hell, but he’d live.

Four cops, in addition to Houser, began to scour the man’s place, searching for any sign of the child. Upstairs, in an unused bedroom, Houser picked up the fresh scent of paint, and noticed that the fresh color on the wall behind a large bookcase — the same color of yellow, but brighter than the rest of the room. Drywall dusted the carpet. Houser put a finger behind the bookcase and pulled it away, yellow.

“Get up here!” he shouted, pulling the bookcase to the floor and sending volumes pouring from the shelf and into a pile.

A large wet paint spot barely concealed a bad plastering job, covering a wide hole in the wall. Houser knocked on the wall twice

“Hello?”

Houser heard a muffled cry.

Oh God.

His heart sped in his chest as the remaining officers poured into the room. Houser punched high where the wet spot started, straight through the quickly crumbling drywall, and began to tear a giant hole in the wall, throwing chunks of wet drywall to the ground.

Inside the wall, he found Cecilia, hands and feet bound, mouth gagged. Dark eyes staring up at him, barely clinging to life.

He reached into the wall and pulled her out, holding her closely. She was so tiny. And dirty, wearing the same pink, and now filthy, pajamas she’d been reported missing in.

“It’s okay, you’re safe now,” he said laying her on the floor.

“Get the paramedics in here!” one of the other officers shouted. Paramedics were on standby downstairs.

Houser pulled the gag from the girl.

“Thank you,” her tiny voice barely said as her eyes rolled to the back of her head.

“No, no, no,” Houser said, shaking his head and hoping to God she wasn’t gonna die. Not now, just seconds after they found her.

Two paramedics rushed into the room and began to give the girl CPR.

Houser watched, helplessly from behind, as they attempted to revive her.

But they couldn’t, despite an eternity of trying.

Cecilia Ramirez was dead.

Celia’s dying eyes and whisper of voice were immediately and forever etched into Houser’s memory.

As the officers began collecting evidence, and the paramedics rolled the girl’s body from the house, Houser stood, went downstairs, then into the back yard for a moment alone.

He wanted to cry.

He wanted to scream.

He wanted to fucking shoot something.

But eyes were on him, cops and neighbors, and soon the media’s.

Houser had to stand quietly, holding his rage, swallowing regret, and making silent vows that he would never, ever, let anything like this happen again. A late search warrant and overcautious judge had murdered Cecilia Ramirez, just as much as Richard Jurgen.

 

* * * *

Read the rest right now:

 

WhiteSpace: Episode 3 www.amazon.com/dp/B008391S1A/

Amazon UK www.amazon.co.uk/dp/B008391S1A/

 

 

 

Serialized Fiction: Our eBook Experiment

Do you like to be left hanging?

Ever since I was a child, I’ve loved cliffhangers. My fascination began with a TV show called Cliffhangers, which ran for less than a season in the 70′s. The show featured three stories every week, one about a vampire, a mystery, and an Indiana Jones sorta adventure. Every segment left the hero hanging and questions lingering with a…

“to be continued…”

I hated having to wait a WHOOOOOOLE week. Yet, as each new episode drew closer, I grew more excited and eager to see what would happen next. And when it comes to serialized stories, it’s always about WHAT HAPPENS NEXT?

Years later, I loved and hated other shows in a similar way — LOST, X-Files, Carnivale, The Wire, Deadwood, The Walking Dead, Battlestar Gallactica, Breaking Bad, The Sopranos, and too many more to name without coming off like a guy who never gets off the couch.

Though these shows span different genres, they have a few things in common.

They all have great stories, they all have storylines which stretch across seasons, and they all have flawed but memorable characters. And, of course, they always leave you wondering what happens next?

SERIALIZED BOOKS

While serialization has been around for ages, it wasn’t until Stephen King did it with The Green Mile in the 90′s, that I discovered it.

King managed to do what the best TV shows did – he kept me hanging from book to book, always wanting more.

It was the most awesome reading experience I ever had!

While I’d always dreamed of creating a serialized TV show, King showed me that I could do the same thing with books.

However, that seemed like a faraway dream as you have to be a pretty big name in order for a publisher to take a chance on a serial.

When I met Sean Platt, we decided to try serializing a story I’d been sitting on forever, Available Darkness. While it was a great experiment, our workload was too much at the time to give it its due. And though we had a nice response, most people asked the same question – when will it be available in book form?

Most people, I find, don’t enjoy reading on a website. Neither do I.

And to be honest, though we were serializing Available Darkness, it wasn’t a true serial. It was a book we were putting out in serialized format. A strong distinction, in my opinion.

You can serialize any book, I suppose. But I prefer a book which was meant to be serialized, designed from the outset as such, so it can be enjoyed as both a part and part of a whole. You know, like TV shows.

While we both wanted to do a serialized series, self-publishing print editions seemed too costly to deliver cheaply to readers. And delivering a cheap, but awesome read, is what we wanted to do, even if we weren’t yet sure how.

AND THEN KINDLE HAPPENED…

While Apple revolutionized the music industry, Amazon changed the way books will be sold. Forever.

Readers began adapting to the idea of eBooks, and were buying eBooks in record numbers, outpacing the sales of print books at Amazon.

Authors like John Locke, J.A. Konrath, Amanda Hocking, and a ton of names that will someday be household, found success on their own terms with eBooks. They didn’t have to go through publisher gateways to find readers. They didn’t have to worry about a publisher thinking their work was good enough to publish. They only had to worry whether readers would read their stuff.

And the readers have spoken with their wallets and purses.

Indie authors are celebrating the wall coming down because it gives them a much better chance of getting their books into the hands of readers. But there’s another advantage to this new age of eBooks. Publishers (including indie authors) can now experiment with different and more creative ways to deliver stories.

Two years ago, there weren’t too many publishers that would serialize a book if it wasn’t written by Stephen King or someone with a proven track record. It’s too risky an investment. But with eBooks, the risk is greatly minimized.

Sean and I saw our window to doing what we’ve wanted to do since we started writing together… create a serialized book series.

AND YESTERDAY’S GONE WAS BORN

Serialization is hardly a new idea, it’s been around for hundreds of years. But serialized eBooks is something I surprisingly don’t see too many writers doing.

We considered how some of our existing book ideas could work in the format, but decided against that. We didn’t just want to serialize an existing book, or even a book we are in the process of writing. If we were going to do it, we’d do it right.

Our series would be designed from the outset as a serialized book, paced just like TV episodes, with rising tension and killer cliffhanger endings.

We came up with the concept of Yesterday’s Gone, and then we each came up with our own characters independent of one another and said, “Okay, see what you can do with this premise and let’s see where it goes.”

Then we traded our chapters and began to flesh out the first “episode,” storylines, and then the full “season,” developing Yesterday’s Gone as writers would develop a running TV series. It’s the most fun I’ve ever had writing!

We released the first episode in August, and followed up with Episode 2 in September. Reaction has been great. Readers have emailed us to tell us they love the concept and the books, and also that they hate us for making them wait to find out what happens next.

But, just like me, they admit, they love having something to look forward to in the next episode.

I love email like that!

TWEAKING THE EXPERIMENT

While we originally planned to release new episodes every month, Sean convinced me that a month is too long. Voracious readers can get through our 100 page books in a day or two. Making them wait a full month is just too long.

For one, there’s many storylines to follow. Expecting readers to remember everything a month later is a bit much. And given that I, the co-author, can’t remember every little thing that happens from episode to episode a month after I wrote it, I can’t expect readers to.

So we decided to shake things up a bit — release all six episodes of Season One all at once – right now, along with the full season in one convenient and low-priced download.

Season One came out last week and we couldn’t be more excited to share the news with you.

We’ll be releasing Season Two in January, with episodes released on a weekly schedule, which seems a better fit for the serialized model. While there will still be a few months between seasons, I think the story flows a lot better in weekly installments.

If you like post-apocalyptic stories like The Stand, shows like LOST, or serialized fiction in general, I’d love for you to check out Yesterday’s Gone. You can buy Episode One right now for .99 and see if you like it, or just dive in and buy the full Season One for just $4.99.

We’re also posting the first episode online at SerializedFiction.com starting here, where we’re also posting some behind-the-scenes marketing stuff, our trailers, Yesterday’s Gone-related news, and more in-depth discussion about the story and our experiment.

You can click on the video to watch a larger, HD version at Youtube.